Groups

These are the groups that advertise their shows on Theatre in Brussels.

ECC: Puss in Boots (30 Jan – 1 Feb 2026)

Join us for a magical tale of cats, ogres, millers and postmen in the ECC’s 2026 pantomime, Puss in Boots!

When Tom is tricked out of his inheritance by his wicked but not very bright brothers Dick and Harry, he sets out to make his fortune with nothing but a cat to keep him company. And so begin Puss and Tom’s adventures… with a sprinkle of magic, more than one pair of boots and a trio of naughty kittens, the pair wend their way to Castle Hazard, ancestral home of the eponymous Duke and Duchess and their headstrong daughter Daisy. Helped, and occasionally hindered, by their friends Auntie the nursemaid, Billy the postie and even a vaguely familiar ogre, Tom and Daisy seek their happy ending – via a whole lot of singing, dancing and slightly-less-terrible-than-last-year jokes.

Don’t miss out on the purrrrrfect way to dispel the winter blues, and book your tickets now!

BSS ‘Measure for Measure’ (26 Feb-2 March 2025)

The director will be looking for dancers for a lavish choreography at the play’s start. She will also be looking for:

Duke, the President: male between 40 and 60 years old
Angelo, the Prime Minister: male between 40 and 60 years old
Lucio, a friend of Claudio: male between 40 and 60 years old
Claudio, a young man condemned to die: male between 20 and 35 years old
Escalus, State Secretary: male between 60 and 70 years old
Pompey, a pimp / Friar Thomas / officer: male between 30 and 40 years old 
Provost: male between 30 and 50 years old
Isabella, a novice who is Claudio’s sister: female between 20 and 35 years old
Julietta, Claudio’s girlfriend / Sister Francisca / prostitute: female between 20 and 35 years old
Mariana / Mrs Overdone: female between 35-50 years old

  • 26 February at 20:00
  • 1 March at 12:00
  • 2 March at 12:00

Additional audition dates will soon be announced, with a specific audition date for dancers. Audtioners should be prepared to attend call-backs. 

Want more details? Fill out this Form to receive the full what-when-where, and see you there!!

ATC: How I Learned to Drive (26 Feb-7 Mar 2026)

How I Learned to Drive by Paula Vogel is sharp, funny, and quietly devastating—in the best possible way. This Pulitzer Prize-winning play pairs laugh-out-loud humor with fearless storytelling, inviting audiences into a coming-of-age story that’s as entertaining as it is resonant. At a time when one in five girls worldwide experiences sexual violence or harassment, Vogel’s play feels urgent without ever becoming heavy-handed. Come for the wit, stay for the insight, and leave reminded of theater’s power to move, challenge, and delight.

​Directed by Carrie Ellwanger

Performing at the Warehouse Studio Theatre in Schaerbeek

Tickets: https://www.billetweb.fr/how-i-learned-to-drive

Green Parrot: Grease (19-22 Mar 2026)

“We got chills, they’re multiplying!”

Green Parrot Productions is delighted to announce that our next show will be Grease. Performances: 19th – 22nd March 2026 at the W:Halll, Woluwe-St-Pierre.

Stuffed full of deliriously catchy rock’n’roll songs, iconic one-liners and memorable characters, it’s the hit musical, it’s “the one that we want” and you won’t want to miss it!

When: 19th to 22nd March 2026
Where: W:HALLL, Avenue Charles Thielemans 93, 1150 Woluwe-St-Pierre
Book, Music and Lyrics: Jim Jacobs and Warren Casey
Stage Directors and Choreography: Kathy Lemerle and Jenny Clarkson
Music Director: Steven De Mesmaeker
Book, music & lyrics: Jim Jacobs & Warren Casey

It’s 1959 and we’re going back to High School!

For more information see https://www.greenparrot.be/

ITG: The House of Bernada Alba (24-28 March 2026)

The House of Bernarda Alba by Federico Garcia Lorca, in a new version by Frank McGuinness, is directed by Jane McBride. The play tells the story of the family of Bernada Alba immediately after her husband’s funeral and the estranged relationships she has with her daughters and her maid. There is humour, sadness and tragedy in this exciting play, with an all women cast. 

[The play contains depictions of domestic violence and suicide]

Book tickets

ECC: Trash Day / Homunculus (14-25 April 2026)

The English Comedy Club presents two new one-act comedies:

Trash DayWritten and Directed by Aravind Dhakshinamoorthy

A strange incident on a quiet night in Brussels on trash day propels three people into frantic moral reasoning about their lives and unresolved failures. What follows is a collision of talk, assumptions, and self-justifications. Sometimes all it takes is a great listener to place the truth, like the trash bags, finally outside. Trash Day (white, yellow and blue) is a dark comedy about guilt, projection, and the chaos we create when no one is willing to shut up.

Homunculus – Written by Santiago Mallan, Directed by Tom Mallan

Art is the best revenge.  It’s their umpteenth breakup, but this time feels different to artist and self-styled sorceress Mimi. The obvious solution? Sculpt an idol of her ex during a thunderstorm, and top it off with the  foulest lovehate potion alchemy can brew! An “impish word-drunk play” giving “big laughs and sharp plot turns with confidence” (Rob Weinert-Kendt, American Theatre Magazine), Homunculus is a classic farce in modern verse, a romance for the ages, an explosion of creativity, and a monstrously good time.

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Smoosicals: Glensheen (2-5 May 2026)

On 27 June 1977 the city of Duluth was shaken by the murder of a Minnesota heiress – a crime that disturbed the quiet night-time shores of Lake Superior. But whodunnit and why?

Glensheen is a dark musical comedy collaboration between renowned American playwright Jeffrey Hatcher and Minnesota composer Chan Poling. Featuring a live band, this show’s humorous and powerful songs are vividly brought to life for its European Première.

Performances: 2, 3 & 5 May 2026 at the Théâtre Comédie Claude Volter
Book tickets

Post expires on Wednesday May 6th, 2026

ITG: Double-bill Auditions (20,25,27 May 2025)

AUDITIONS for the ITG November 2025 Productions will be held in the Warehouse (rue Waelhem 73, Schaerbeek, Brussels).

 Tuesday May 20th     Back  Room            7.30pm

 Sunday May 25th     Studio                    4.00pm

 Tuesday May 27th     Studio                    7.30pm

The ITG will present a Double Bill

Friends Help You Move by John L. Ward and directed by Lyn Wainwright, together with The Fifth Step by David Ireland and directed by Hugh Dow

Friends Help You Move is a short play and was performed in Antwerp as part of FEATS 2024 where it won Third Prize overall and Best Original Script.

Nally and Macker have a plan and they decide to share it with the local hard man… Things do not turn out quite the way they imagined.

A great deal of black humour in an Irish setting.

Cast of 3 men, two younger and one a bit older. Irish accent delivery is important.

The Fifth Step is a full length two hander, one young man, one middle-aged.

An alcoholic is looking for an older mentor and they meet over coffee.  It does not end well!  Like our previous David Ireland play Ulster American, it is funny, dark and character-driven.

Smoosicals: Little Shop of Horrors (7-10 May 2026)

Flower shop assistant Seymour Krelborn stumbles across a new botanical species which he names “Audrey II” after his coworker crush. This persuasive plant promises the down-and-out Seymour that it can make all his dreams come true … just as long as he keeps feeding it HUMAN BLOOD!

A darkly hilarious Broadway and Hollywood sci-fi smash musical, featuring a live band, Little Shop Of Horrors is a wild ride of awesome tunes, giant puppets, murder and mayhem!

Performances: 7-10 May 2026 at the Théâtre Comédie Claude Volter
Book tickets

Post expires on Monday May 11th, 2026

BSS: Antony And Cleopatra (19-23 May 2026)

Antony and Cleopatra will play at the Jacques Frank theatre from 19 to 23 May. Set as a ‘future history’ in the 2030s, the show will portray a modern-day autocrat, Octavian, facing off against the lovers of the title in a battle for the soul of Europe. Get your tickets now!

In our shows, we like to highlight Shakespearean themes that might be more relevant for modern audiences. As our October 2024 show Measure for Measure considered how sexuality intersects with power and as our January 2024 show Julius Caesar explored how populism subverts democracy, Antony and Cleopatra will focus on how disinformation and AI, if left unchecked, could serve as a road leading from populism to dictatorship.

Historians note that Gaius Octavius’ war against his rival Antony was in part a disinformation war, and arguably one of the most successful disinformation wars in history. Among many examples, he compelled the Roman Senate in 32 BC to declare war against Cleopatra, not Antony. By doing so, he portrayed a Roman civil war as a fight against Egypt, a devious foreign enemy. His narratives lived on in his memoirs, now lost to us. But they influenced later accounts that survived, most famously Plutarch’s Life of Antony. Many centuries later, Shakespeare would use Plutarch’s work as the basis for his play.

Had Shakespeare been a lesser genius, he might have repeated the disinformation narratives about Cleopatra that Octavian Caesar Augustus promoted. But he could not help but portray Cleopatra as a real human being, with her own goals, passions, and contradictions. Among other themes, Antony and Cleopatra will explore this tension in a text that, at times, seems ambivalent about whether Cleopatra was an evil archetype or a tragic heroine.

TICKETS HERE

Post expires on Saturday May 23rd, 2026

BSS: Othello Night, 2 short plays(21-23 May)

BSS Othello Night poster

‘Green-Eyed Monster’, inspired by Shakespeare’s play, is a new original one-act piece by Fintan O’Higgins. It will run in conjunction with Hugh Dow’s ‘speed adaptation’ of the original, ‘Othello In 40 Minutes’.

They will play in the Studio space at CC Jacques Franck, in tandem with our main house production of ‘Antony And Cleopatra’ (Hint: Don’t book tickets for both shows on the same day! – unless you want to catch the Saturday matinée of one and the evening show of the other.)

Tickets for ‘Othello Night’ and for ‘Antony And Cleopatra’ HERE

Post expires on Saturday May 23rd, 2026

ITG: The House of Bernarda Alba (9,10,15 Nov)

The Irish Theatre Group asbl is auditioning for its March 2026 production, directed by Jane McBride.

Frank McGuinness’ version of Lorca’s classic text is intense and shockingly still relevant today.

There is a diverse array of complex multi-layered roles for women between 18-80+

No particular accent is required but fluency in English is essential.

Auditions will take place at The Warehouse (rue Waelhem, 73) :

  • Sunday 9 November at 14:00
  • Monday 10 November at 19:00
  • Saturday 15 November at 15:00

Drop us an email ( itg.asbl@gmail.com ) and let us know when you would like to audition.

Would you like to direct a show for BLOC ? – Call for pitches for shows in 2027

BLOC is looking for ideas for its Spring and Autumn shows for 2027.  Do you have a proposal and see yourself as the stage director? Do you have a friend or acquaintance who does? Then this information is for you!

The Spring show will most likely be performed at De Bosuil Cultural Centre in Overijse (350 seats) at the end of May or the beginning of June, the Autumn show will be performed in November at the Cultural Centre in Auderghem (670 seats). 

BLOC is looking for shows which accommodate a cast from a range of ages and nationalities, with good chorus opportunities, as BLOC has quite large membership. The spring show can be more edgy, innovative or just more suitable for a smaller audience than the Autumn show. Auditions will most likely be held in January 2027 for the Spring and in June 2027 for the Autumn show.

If you want to make a successful pitch, it is important to have (most of) your team in place (stage director, stage manager, musical director and, where relevant, choreographer). The BLOC Committee is happy to point you in the right direction, if you should be missing candidates for one or the other position during pitch preparation. The producer of the show will be proposed by the BLOC Committee.

You should also find out if the rights (if necessary) are available for your proposed show. Please do not make inquiries regarding this yourself, but contact our treasurer Alex Just (treasurer.bloc@proximus.be), who will do this on BLOC’s behalf.

If you are interested in becoming a director for BLOC (this is an unpaid position), please send your pitch to BLOC’s chairman (blocchairman@gmail.com) by 18 January 2026. Please be ready to present your ideas to the Committee on the 11 February 2026.

ECC: Entertaining Angels (3-5 May 2026)

ECC Brussels will be performing Richard Everett’s Entertaining Angels from 14-24 October 2026, directed by Conrad Toft. Auditions will take place at Conrad’s apartment near Tomberg metro station at the beginning of May.

  • Grace, aged 61
  • Ruth, her sister, early sixties
  • Bardolph, her husband, sixties
  • Jo, Grace’s daughter, early thirties
  • Sarah, incoming vicar, early thirties

There will be a cast read through in May and then rehearsals will be from June onwards (with a break for most of July and August). Rehearsals will mainly be on Mondays, Thursdays and Sundays. Please email Conrad at conradtoft@gmail.com with any questions.  

You can sign up for the auditions here.

Post expires on Wednesday May 6th, 2026